Careful observation
The process begins with looking. Topography, coastlines and notable features are studied before lines appear. Drawing happens at a measured pace, allowing the landscape to emerge through accumulated marks and gradual refinement.
Brine Cove makes maps by hand. Each one captures a specific landscape, coast, or region through careful observation and drawing. The work unfolds slowly, layer by layer, without digital shortcuts or automated tools.
The studio room
Work happens in a quiet space with natural light. Maps spread across tables during development. The room holds reference materials, drawing tools and finished work, all arranged to support focus and sustained attention.
Paper and ink
Maps are drawn on paper that takes pencil, pen and wash. Ink sits on the surface, creating marks that hold detail and weather over time. Each sheet is chosen for its texture and weight.
Working notes
Notes about the light in the room where a piece will end up travel with the drawing. A drawing is redone until the proportions read cleanly from across a room. Most of the work here starts on paper, with loose sketches and a few measurements. The slowness at the start is deliberate and saves time at the bench later.
Offcuts go into small studies instead of the bin. Sheet brass is left to darken on its own rather than lacquered. Wax and chalk sit on the same shelf as the sandpaper, within reach of the bench. Ash and oak from nearby mills, linen and undyed cotton, linseed oil and milk paint.